Orchestral Tools Abacus by Richard Harvey

OrchestralTools abacus screenshot

Sample library designers Orchestral Tools has announced Abacus by Richard Harvey, their latest collaboration with the celebrated English composer and musician. Abacus is an imaginative, one-of-kind orchestra comprised of the sounds of historic children’s instruments assembled from Harvey’s personal collection dating back to the Victorian era. Intuitive to play and immediately inspiring, the collection puts a broad emotional palette of evocative early childhood sounds at the fingertips of composers and sound designers and is ideal for nostalgic and historic scoring, as well as horror, fantasy, and much more.The collection is available now for an introductory price of 139 EUR (189 EUR regular) until June 21.

The genesis of Abacus comes from Harvey’s extensive interest in vintage children’s instruments and the unique sounds and musical ideas that he often found in playing them. Realizing that there was no single collection that brought together these sounds that he often used in his professional work, Harvey partnered with Orchestral Tools to bring his vision of a ‘children’s orchestra’ to life. “When I wanted unusual, magical, even childlike effects, I often couldn’t find the sounds I needed,” Harvey explained. “I’ve spent years sourcing the instruments to recreate those special, evocative, nostalgic echoes from my past or my imagination, and now I'm sharing this lovingly amassed collection, as high-quality samples, with my peers.”

Abacus brings together the sounds of a wide variety of vintage children’s instruments, many of which are available in a sample library for the first time, divided into six sections: Musical Boxes, Wind Instruments, Tuned Percussion, Plucked Instruments, Toy Pianos, and Toy Percussion. Each instrument was captured faithfully with the same attention to detail and range of playability as  Orchestral Tools’ flagship library collections — ensuring that these sounds are immediately usable within the context of traditional sounds and professional orchestration. Each instrument also includes five mixable mic positions making them easy to blend into any score or sound design composition.

“Richard’s enthusiasm for bringing unusual or overlooked instruments into the context of the orchestra has always inspired us,” said Orchestral Tools CEO Hendrik Schwarzer. “With Abacus we’ve brought that context to a century’s worth of children’s instruments that made us fall in love with music to begin with, and brought to them a sound quality and usability that we can bring into professional scoring without losing that crucial sense of play.”

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